The topic of artificial intelligence consistently makes headlines, particularly due to its nascent yet rapidly evolving role in various fields, including the arts. This technological advancement, while innovative, has sparked widespread debate and concern among the creative community.
Issues range from environmental impacts to accusations of copyright infringement, casting AI as a formidable challenge for many artists. Amidst this backdrop, a manga artist who has transitioned into a political career aims to shield fellow creators from the potential overreach of AI technologies.
Ken Akamatsu, celebrated for his creation of popular manga titles such as Love Hina, has recently used his platform in politics to highlight the effects of AI on manga creators.
His commentary on social media has drawn significant attention, especially his insights into a particular controversy surrounding the use of AI in manga creation.
Akamatsu conveyed concerns about the LoRA project by Kishin Higuchi, brought to the forefront by the distribution channel Civitai’s assertion:
“All images used for learning were created by myself, and no copyrighted work by an illustrator was used.”
Akamatsu clarified that even if an illustrator’s direct work isn’t used for AI learning, issues arise when the creation and usage of AI-generated products bear a “similarity and dependence” on copyrighted materials, potentially leading to copyright infringement.
He further noted, “In addition to users, there is the possibility that the developer (that is the person who created LoRA) may become an infringer.” He also mentioned that the government is scrutinizing how generative AI might infringe upon rights not typically covered by copyright, like publicity rights.
This discussion brings into focus the story of Higuchi, known for Ekijin no Karute, who found himself at odds with an AI tool designed to replicate his unique art style.
This revelation deeply affected Higuchi, compelling him to reject all fan art of his work and seek advice from more prominent manga artists such as George Morikawa, creator of Hajime no Ippo.
The unfolding situation underscores the complex relationship between generative AI and the arts. While AI holds the promise of beneficial applications, its integration into creative practices raises significant ethical and legal concerns.
Artists with smaller audiences, like Higuchi, face a particularly steep uphill battle against AI, whereas more established artists might navigate these challenges more effectively.
The rapid proliferation of AI in creative contexts has prompted Japanese legislators to consider establishing clear legal frameworks to govern its use, aiming to balance innovation with the protection of artists’ rights.